Behind the Shadows: The Colour of Vengeance

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Dean opened the paper and began reading the contents aloud.  “Despair for I walk among you, and I am the right hand of vengeance.”

“I don’t buy it, one man couldn’t do all this,” said Dean.

Beauford looked around as the crime scene investigators began the grisly work of processing the scene. “If you want my advice, start stocking up on empty body bags and making space in the morgue, I get the feeling this guy is just getting started.” – Fallen Heroes

In this week’s Behind the Shadows we hand the reigns over to Gat Melvin, the colourist on Wrath of God. In the development of the project Gat’s use of colour was instrumental in telling the blood soaked tale of The Reverend. So without further ado…over to Gat.

Greetings, Shadow-Reader.

If you’re reading this, it means you’ve come out the other side of the psychedelic-violence and tortured roller-coaster, that is the Wrath of God.

The decision to use colour, as a visual narrator was an idea to help break up the separate timelines and eras in the Reverend’s life, dreams of a troubled childhood, hallucinations violent actions, the simplicity and truth of happiness and the concept of, ‘Reverend Vision’

There are four timelines portrayed in the story, which are:
1 – The present day

2 – The Reverend’s training

3 –  The Reverend as a boy

4 – ‘The Maria Chronicle’

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The bright, white-washed dream effect for The Reverend as a boy. Childhood is suppose to be a time of happiness and innocence, but for the Reverend, life has dealt him a very different hand of cards. With the change of his face,The Reverend leaves his past life to his dreams and begins to see the world as ‘the monster’.

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This is where the idea of ‘Reverend vision’ was born.  Remembering the film, Predator and how the alien saw in an infrared spectrum, I wanted to do something similar with the Reverend.  While he sees the
sky as blue and the grass as green, violence – death, brings life to him.

When we first meet the Reverend, he’s a man in his 50’s so his ‘Reverend Vision’ is strong, highly-saturated colours and strange mixes of tones, so it became a good tie-in.

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However when we go back into his past and most importantly his  training, the tones are much less saturated and obscure, that he is still learning this way of violence, still learning the ‘way of the dark side’.

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Why then, is his time with Maria in a mono-chrome you ask?

The Reverend knows violence, utter, bloody violence.  And what does one who knows only hate and brings destruction hope for?  My opinion…love. A simple word, a simple desire, the simplicity of black and white.

‘If a bird lives its whole life in a cage and all it knows, is the cage, does the bird even know the cage exists?’

His time with Maria are the best times of his life, he doesn’t need anything else, life is simple and shown through the monochromatic feel of this time.

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I hope you guys have really enjoyed the story and that I’ve given you more insight into everything that is Wrath of God.

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Now, ‘Go get your orange on’
– Gat Melvyn

Wrath of God is available now on Comixology

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A SPECIAL LONDON SUPER COMIC CON PREVIEW FOR BLOOD CRIES OUT

 

Unseen Shadows Release Special Preview of its First Full Length Graphic Novel Blood Cries Out.

In honour of the second year of the newest UK convention on the block, The London Super Comic Con, the Unseen Shadows creative team have decided to do something special to celebrate their attendance.

The team working on the Unseen Shadow’s first full length graphic novel ‘Blood Cries Out’ are giving readers a special peek behind the curtain with an online four-page preview. Visitors to the Unseen Shadows table (C42) during the convention will also be treated to a closer look at Blood Cries out as well as several other projects in development.

DOWNLOAD THE 4 PAGE PREVIEW LSCC PREVIEW PDF

Blood Cries Out is centred on Jonathan Bishop, a relentless vigilante known as ‘The Reverend’. The character made his comic debut in the one shot story Wrath of God written by Cy Dethan with art by Steve Penfold, colours by Gat Melvyn and lettering by Nic Wilkinson. The same creative team have reunited to work on Blood Cries Out.

‘The difference between Wrath of God and Blood Cries Out is significant. Where as Wrath of God was a creation story, this has the potential to be the character’s swan song. Threats so significant and original that not only do they threaten John Bishop physically but threaten to destroy the faith that drives him. Heightened emotion and fundamental questions about humanity go hand in hand with high-octane action sequences and threats from other dimensions. Who wouldn’t love to draw that? Myself and Gat will work hard to bring Cy Dethan’s vision of Barry Nugent’s character to life. We hope it lives up to it’s potential.’ – Steve Penfold

The 88 page graphic novel, to be launched later in the year, will reveal a different side to Bishop as he meets his match in this tale of faith, cults, secret societies and the supernatural.

Barry will be manning the Unseen Shadows table at the London Super Comic Con. ‘I’m looking forward to catching up with some of the other members of the creative team who will in attendance and chatting about Unseen Shadows to visitors at the convention.”

The Unseen Shadows table is located at C42 on the convention floor.

About Blood Cries Out

Reverend Jonathan Bishop is a weapon forged by fate and the cruelties of men, his life an endless crusade waged in shadow and blood. He is a one-man holy war, but he is not the first product of the machinery that created him.

 

When the twisted Broken Heart cult seeks to conjure and enslave a force they are ill-equipped to control, Bishop must face a custom-built killer who knows him as only a brother can. The Reverend has finally met his equal in battle, and faith alone may no longer sustain him.

About Unseen Shadows

Unseen Shadows Ltd is dedicated to expanding the world and characters created in Fallen Heroes through various transmedia elements. Currently in development are several more comic titles, a five part audio drama, a comic adaption of the Fallen Heroes novel,  a live action web series and more.

“These are not just nice little side stories with no impact on the events surrounding them,” Barry Nugent, the found of Unseen Shadows explains. “The spin-offs expand and enhance the characters lives and relationships within the novels. It was important to me that the spin offs can be read, watched and listened to independently of each other and the novels but you will get more insights into the characters by experiencing everything the Unseen Shadows universe has to offer.”

First Look at Page 1 of Unseen Shadows:Blood Cries Out

So what better way to start off the new year and new projects here at Unseen Shadows than some lovely inks. In this case the inks come from the pen of artist Steve Penfold  and his work on the  first page on our first full length graphic novel Unseen Shadows:’Blood Cries Out’.

Written by Cy Dethan with colours by Gat Melvin and letters by Nic Wilkinson this is one hell of a ride and shows us a different side to vigilante Jonathan Bishop aka The Reverend as he meets his match in this tale of faith, cults, secret societies and the supernatural.

Keep an eye on the Unseen Shadows site for more updates on this an the other projects we have coming.

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